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For women in particular, art has long been a vehicle for confronting gendered, social, or political marginalization. Across generations, women have used storytelling, language, the body, performance, and self-representation to make experiences previously overlooked visible. That art resonates in present-day America—a time marked by rising authoritarianism, assaults on reproductive rights, threats to LGBTQ+ communities, pervasive gun violence, environmental instability, the humanitarian crisis surrounding migration, and now, an escalating global conflict in the Middle East. This tradition of female conscience persists today, urgent and uncompromising, manifest in the work of a cohort of women artists here in northern Michigan, presented in the exhibition “We Will Not Whisper” which is on display at the Alluvion in Traverse City until April 11.

The Tree of Life is one of the most universal, recurrent, and enduring of all iconographies—a visual metaphor for the interconnectivity of life forms, Earth and the cosmos. Its legacy stretches across religions and cultures. It appears throughout literature, the arts, and even modern science. This ancient motif now graces the Lobby Gallery of the Glen Arbor Arts Center. It is the mixed media installation of Traverse City artist, Mary Fortuna, aptly titled: Tree of Life: Connecting the World. The exhibit will be shown through April 25. Fortuna’s Tree of Life: Connecting the World is a glorious rendition of this most recognizable of images. It is comprised of the tree form itself, which is drawn in Sumi ink on Japanese paper, affixed to which are numerous hand-sewn soft sculptures—a snake, armadillo, turtle, fox, and bee, among other critters.