For women in particular, art has long been a vehicle for confronting gendered, social, or political marginalization. Across generations, women have used storytelling, language, the body, performance, and self-representation to make experiences previously overlooked visible. That art resonates in present-day America—a time marked by rising authoritarianism, assaults on reproductive rights, threats to LGBTQ+ communities, pervasive gun violence, environmental instability, the humanitarian crisis surrounding migration, and now, an escalating global conflict in the Middle East. This tradition of female conscience persists today, urgent and uncompromising, manifest in the work of a cohort of women artists here in northern Michigan, presented in the exhibition “We Will Not Whisper” which is on display at the Alluvion in Traverse City until April 11.
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The Glen Arbor Arts Center’s current VESSELS exhibit offers an out-of-the-box look at bowls, baskets, urns, pods, and other objects that store and carry things. This juried exhibition is on display until Oct. 27 and features 28 exhibitors from Michigan, California, Illinois, and Rhode Island. Of particular note, the exhibit includes the Creation of the World 6/9, a needlework tapestry from Judy Chicago’s “Birth Project”—a feminist initiative from the early 1980s, in which Chicago collaborated with more than 150 artists to create dozens of images combining painting and needlework that celebrate various aspects of the birth process; from the painful to the mythical. This series celebrated the birth-giving capacity of women along with their creative spirit. With women’s reproductive rights under siege, and the arts reemerging as a forum of social and political expression, we chatted with the Glen Arbor Arts Center’s gallery manager Sarah Bearup-Neal about VESSELS and the inclusion of a work from “Birth Project.”
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This world-changing event — a woman confidently and competently doing what many men before her have done — is a bold, radical, and revolutionary act (those are positive words in our household). It’s an act that makes some entitled men jealous and angry, because they fear they’ll lose their grip on power — the power they alone have clenched for millennia.
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